1.) Make sure you follow the instructions in the video that pertains to your specific program located located below to ensure the files are the correct format.
2.) Make sure your stems are dry, unless the effect defines the sound. (No reverbs, EQ’s, compressions, delays, etc)
3.) Decide how many tracks you’d like to submit for mixing.
4.) Select the package option that best fits your needs on the bottom of the Mixing page.
5.) After payment is made, please use a free file transfer client such as Dropbox to send files to [email protected] along with PayPal Transaction ID.
6.) Please allow 24-72 hours per track
Not Mixed, Not Mastered
- Frequency clashing
- Low end phasing
- Drums/Percussion not hitting hard enough
- 808 not cutting through the mix
- Overall volume is low
- Repetition doesn’t keep listener hooked
- Transitions are weak
- Overall balance of frequencies is off
Mixed, Not Mastered +
Transition Upgrade
- Strong Transitions
- Isn’t repetitious, keeps listener hooked
- Unique effects defining style
- Overall progression and development of the track
- Dynamic seperation
- Tells more of a story then a conversation
- Allows for artist to develop theme within the record easier
- Feels more like a movie and adventure
Mixed, But Not Mastered
- Defined frequency separation
- No low end phasing
- Drums/Percussion hitting better
- 808 now cutting through the mix
- Overall volume is louder
- Repetition doesn’t keep listener hooked
- Transition are still weak
- Nice overall balance of frequencies
Mixed & Mastered +
Transition Upgrade
- Mastering mainly used for beat tapes and beat making competitions
- Overall much louder
- Can hear every sound in the track much clearer
- Sharper and more crisp/brighter
- Hits much harder
- Stereo separation much wider
- Sounds larger overall, without taking away from the track itself
- As loud as it can be, without losing quality or clipping
Time spent mixing can mean the difference between a good recording and a great one. With the individual component tracks you’ve already recorded, I can make a huge difference to the final result with careful tonal and dynamic balancing whilst paying close attention to tuning and timing issues. I work out of Grammy Award winning facilities, with top of the line analog gear as well as highest industry standard software.
The benefit of my mixing services is that I have an accurate monitoring environment specially designed to hear your mixes as true as possible and I’m a professional engineer well versed in the art of mixing. With access to some of the best mixing tools in the business and the experience to use them, your song will be given the best possible chance to impress with a professional sounding mix that will give your songs the best possible chance of impressing. Check out some examples below
The following examples were given a light mix beforehand because I understand that most know the basics of mixing, but not the extreme fine details needed for radio and label placements.
For best listening results, studio monitors or headphones are recommended.
– Mixed to Radio/Industry Standard
– At CD Commercial Quality/Loudness
– Engineer will recreate effects in analog environment
– Reverbs
– Delays
– Chorus Effects
– Engineer will run mix down through a SSL 4000G+ Series Mix Bus Compressor
– Producer receives .mp3 and .wav version of beat
– Producer receives printed stems of mix down
– 44.1K or 48K
– 320 kbps
– 16 or 32 bit
– Unlimited Stems
– Each sound must be different stem
– $30+ for Mastering (Listening Purposes)
| Gold Beat Single Options |
| Additional Notes |
– Mixed to Radio/Industry Standard
– At CD Commercial Quality/Loudness
– Producer receives .mp3 and .wav version of beat
– 44.1K or 48K
– 320 kbps
– 16 or 32 bit
– Producer receives printed stems of mix down
– 44.1K or 48K
– 320 kbps
– 16 or 32 bit
– 20 stems max
– Each sound must be different stem
– $30+ for Mastering (Listening Purposes)
| Silver Beat Single Options |
| Additional Notes |
– Mixed to Radio/Industry Standard
– At CD Commercial Quality/Loudness
– Producer receives .mp3 version of beat
– 44.1K or 48K
– 320 kbps
– 16 or 32 bit
– 20 stems max
– Each sound must be different stem
– $40+ for Mastering (Listening Purposes)
| Bronze Beat Single Options |
| Additional Notes |
– All beats mixed to Radio/Industry Standard
– At CD Commercial Quality/Loudness
– Engineer will recreate effects in analog
environment
– Reverbs
– Delays
– Chorus Effects
– Engineer will run each mix down through a SSL
4000G+ Series Mix Bus Compressor
– Producer receives .MP3 and .WAV version of beats
– Producer receives printed stems of each mix down
– 44.1K or 48K
– 320 kbps
– 16 or 32 bit
– Unlimited Stems
– Each sound must be different stem
– Mastering (Listening Purposes)
– 3 @ $30/each
– 5 @ $25/each
– 7+ @ $20/each
Gold Hosting
– Sponsored Mixtape on Datpiff.com
– Featured mixtape on Spinrilla.com
– Mixtape featured on Coast2CoastMixtapes.com
– 2 months of free Pro membership
(If your already a Pro member you get 2 months for free)
– 1200×531 Hompage Banner Impressions 100,000
– Twitter Profile Banner 1500×500 on our account for 7 days
– Exclusive eBlast to 100,000
– Facebook Campaign
– Twitter Campaign 15x
– Instagram Promo Ad/Post
– 3 Beats on the next Got Instrumentals Volume Mixtape
– Cover Design
| Gold Beat Packages |
| Hosting Package Too? |
– All Beats mixed to Radio/Industry Standard
– At CD Commercial Quality/Loudness
– Producer receives .MP3 and .WAV version of beats
– Producer receives printed stems of each mix down
– 44.1K or 48K
– 320 kbps
– 16 or 32 bit
– 20 stems max
– Each sound must be different stem
– Mastering (Listening Purposes)
– 3 @ $30/each
– 5 @ $25/each
– 7+ @ $20/each
Silver Hosting
– Sponsored mixtape on Datpiff.com
– Sponsored mixtape on Spinrilla.com
– Mixtape featured on Coast2CoastMixtapes.com
– 1 month of free Pro membership
(If you already a Pro member you get a month for free)
– 1200×531 Hompage Banner Impressions 50,000
– Exclusive eBlast to 50,000
– Facebook Campaign
– Twitter Campaign 10x
– Instagram Promo Ad/Post
– 2 Beats on the next Got Instrumentals Volume Mixtape
| Silver Beat Packages |
| Hosting Package Too? |
– All Beats mixed to Radio/Industry Standard
– At CD Commercial Quality/Loudness
– Producer receives .MP3 version of beats
– 44.1K or 48K
– 320 kbps
– 16 or 32 bit
– 20 stems max
– Each sound must be different stem
-Mastering (Listening Purposes)
– 3 @ $30/each
– 5 @ $25/each
– 7+ @ $20/each
Bronze Hosting
– Sponsored Mixtape on Datpiff.com
– Mixtape posted on Spinrilla.com
– Mixtape featured on Coast2CoastMixtapes.com
– 1 month of free Pro membership
(If you already a Pro member you get a month for free)
– 1200×531 Hompage Banner Impressions 20,000
– Facebook Campaign
– Twitter Campaign 5x
– Instagram Promo Ad/Post
– 1 Beat on the next GotInstrumentals Volume Mixtape
| Bronze Beat Packages |
| Hosting Package Too? |
Watch me perform my latest single ‘Trust Isn’t Bulletproof’ Feat. @kurtizthekid off of @le_boomin The ‘Pop-Up Party’ Car!
https://t.co/nzPkfyL9jB #spotifyplaylist #newsingle #edmtrap #edmsingle #edmdrop
Check out the short film/visual ‘Murder Weapon’ that I produced the score for and acted in lol! https://t.co/5OJfnGxRlc #shortfilm #musicvisual #5D #murderweapon #EP @lightvitalmusic #multiverse
Want to Know How To Bounce Stems in FL Studio For Engineers or Collaborations? https://t.co/FvkmqnChix #flstudio #flstudiogang #advice #tutorials @lightvitalmusic
Interested in custom production? Hit my DM! #musicproducer #hiphop #top40 #edm #instrumentals #beats
“Madness 2 Magic”
We will be performing 9 unreleased records from our upcoming album in 3 seperate sets from 830pm-11pm as headliners for ArtWalk Wynwood: Madness 2 Magic Debut – Draydel & Jillee Parker!
The event is sponsored by EFFEN Vodka and Monster Energy –
There will be 2 groups of dancers, fire spinning, our mobile DJ #artcar – Leboomin: The ‘Pop-Up Party’ Car and more!
It’s FREE to attend & family friendsly!
So come out on Saturday at The Wynwood Marketplace in the middle of the live art painting!
